Monday, February 09, 2004
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"Later, Red," 2000. Viggo Mortensen. |
Mortensen's photography is varied, sensitive, and bold. It grapples with color, saddles it and spins it into a freefall. It eludes categorization, avoids precision and embraces daydreams, savory, if viscous.
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"Blue #4", 1998. Viggo Mortensen. | "Red #3", 1999. Viggo Mortensen. |
I feel that while Mortensen's good looks have been utilized full throttle in films, his dramatic potential has been underexplored. The previews suggest that in the upcoming blockbuster, "Hidalgo", he is straitjacketed into a predictable, clichéd role. I suspect that Viggo may do well in a more demanding lead. Why not posit Mortensen as Raskolnikov, for instance?...:)
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"Lost", 2000. Viggo Mortensen. | "Lost #5", 2000. Viggo Mortensen. |
Check out samples of Viggo Mortensen's photography, read about the man, and consider the output of Perceval Press. Anne Fishbein is one of the notable artists featured by Perceval. "On the Way Home" is a book of memorable, hardy, and gentle b&w photographs taken in Russia's Yaroslavl in the 1990s.